Wave Form (1998) by Peter Ward (1932-2003), Patinated Steel, Slate, Edition Signed and Numbered 1 of 10, Signed and dated 1998, 33cm high by 16cm wide by 10cm deep, Tribal, Helmet, Sculpture

This piece features a rounded, helmet-like form that rests atop a tall slate plinth. Small disk shaped details adorn the side of the steel, adding texture and visual interest. The sculpture is carefully smoothed, with select areas polished to catch the light. These polished sections reveal the natural greys of the steel, creating a subtle contrast against the darker, patinated surfaces.

The combination of steel and slate gives the piece a balanced and grounded presence. The rounded form rises smoothly from the rigid slate base, emphasizing the tension between organic curves and geometric stability. The disks punctuate the form, drawing the eye across the surface while breaking the solidity of the steel. The slate plinth elevates the sculpture, enhancing its visual impact and allowing the curved top to dominate the viewer’s perspective.

Ward’s design reflects a thoughtful interplay between material, form, and texture. The smooth, reflective areas interact with surrounding light, while the darker patinated zones add depth. The sculpture’s compact size makes it ideal for display, yet it retains a strong sense of presence. Its signed and numbered edition, along with the 1998 date, confirms its place within Ward’s exploration of abstract and tactile steel forms.

Wave Form (1998) exemplifies Ward’s mastery in combining industrial materials with refined sculptural techniques, resulting in a piece that is both modern and timeless.